This is a review of the audiobook version of The Cuckoo’s Calling by Robert Galbraith, a pseudonym for J.K. Rowling, read by Robert Glenister.
Set among many rich, shiny people, as well as some grubby underlings who aspire to fame and wealth, The Cuckoo’s Calling centers around a private detective named Cormoran Strike. Strike is the illegitimate son of a rock star and a “super groupie.” He took up his gig as a private sleuth after part of his leg was destroyed by a roadside bomb in Afghanistan where he was serving in the SIB (the British military police).
The Cuckoo’s Calling is a classic mystery. Consistent with the genre, it is not a particularly happy book, considering it’s dealing primarily with crime and death. (The main exception would be the “cozy mystery” which can tend to be quite cheerful, e.g. Father Brown, Miss Marple, or Grantchester. So, if you are looking for a light-hearted sunny read, consider those alternatives.) The ending is quite good with an unexpected surprise, which accounts for a lot when it comes to mysteries.
There is plenty of profanity throughout The Cuckoo’s Calling. If reading the physical book, this can easily be skimmed over but when listening to the audiobook, it can sometimes feel like a verbal assault. But beyond that, the characters are well drawn and the plot kept me guessing throughout, as you would expect from a seasoned author like Rowling.
I am nearly a third of the way through the second book in the series: The Silkworm. As soon as I finish, I will post a review. The Silkworm is set in the world of agents and publishers, including some “indie authors.” So far I am enjoying it quite a bit more than The Cuckoo’s Calling, but will wait until the end to say anymore.
In the coming days, we will be writing a couple more posts related to Cuckoo’s Calling, including how J.K. Rowling explores human nature in her writing, as well as the narration style of Robert Glenister.