After reading The Cuckoo’s Calling, I moved onto Robert Galbraith’s sophomore mystery, The Silkworm. It is set in the land of UK book publishing, with agents, editors, authors, and publishers as suspects. The book is a bit gruesome at times. It does feel as though Galbraith is keen to shock readers, for the mere sake of shock value at times. This may rub some readers the wrong way.
However, the ending was quite good, just like with The Cuckoo’s Calling. One maddening thing that Galbraith does is have Cormoran tell Robin, his assistant, who the villain is without telling us. That really kept the suspense going! WHO DID IT!!!??? This little move made the ending a real page turner.
The book is over 400 pages, but I listened to the audiobook, narrated by Robert Glenister, so it didn’t seem very long. The characters are interesting and everyone looks suspicious. But more importantly, we learn more about the backstory of both Cormoran and Robin, which I believe is the real reason why readers enjoy any series of books – to get to know the characters in depth and become “friends” with them.
As I was reading The Cuckoo’s Calling, I was comparing the text to Harry Potter. Last month, I wrote a post titled, Good, Evil, and J.K. Rowling, Post-Harry Potter, in which I tried to understand how/why Rowling’s mystery series has so much more evil in it than Harry Potter.
As I was reading The Silkworm, I started wondering more about Rowling as the author of Harry Potter compared to Rowling as the author of the Cormoran Strike series. It was strange to ponder how much of J.K. Rowling’s true sentiments about the publishing world are in this book. She is one of the biggest success stories in publishing history, and even she views the publishing world as dark and sinister?
Also, a big theme of The Silkworm is gender and gender-identity. It’s very current to our times, and I suppose it’s not really a topic that she could examine in such depth in the setting of a Harry Potter book. She also discusses things like Google Maps and indie-publishing. I was like, wait, J.K. Rowling uses Google Maps?
She’s the Queen of Harry Potter; she could be doing anything – living in a castle (wait does she live in a castle?), or entering a partnership with Jeff Bezos to try and make magic real, or perhaps the most obvious choice, writing a dozen more Harry Potter books. Instead she’s writing about gruesome murders! Say what?
I needed some answers, so I turned to YouTube. In a 2014 interview with Val McDermid, Rowling talked about her lifelong passion for who-dun-its, and shared that she actually viewed Harry Potter as a sort of mystery. Indeed, p-p-p-poor st-st-st-stuttering P-P-Professor Quirrell was an unexpected suspect/villain in The Sorcerer’s Stone. The interview was interesting to listen to and in it, she mentions how she picked her pen name.
Overall, the answer that I arrived at of “Who is the real J.K. Rowling” was thus: J.K. Rowling is just herself. She is not some fairy godmother living in the clouds. She’s a real human and an interesting one, at that. I’m happy that she made the brave decision to write mysteries, because if she had not, I would have not dared to read such grisly stories. There is something about facing one’s fears that really boosts the confidence. While I had previously enjoyed mysteries on television, I was not a fan of mystery novels. Now I am and it’s all because of Galbraith.
I did notice some Harry Potter connections in this book. First, there is a reference to Emma Watson, who is depicted on the cover of Vogue magazine. Also, Cormoran’s name is revealed to mean “Cornish Giant” and that seems to be a nod to Rubeus Hagrid, the Hogwarts gamekeeper. Hagrid is part giant and has a Cornish accent. Cormoran is quite big and hairy like Hagrid, but the private detective is not a softy like the wizard with the pink umbrella wand. Others have drawn a comparison to Mad-Eye Moody, in terms of Cormoran’s temperament, and I quite agree.
Have you read the Cormoran Strike series? What do you make of it?
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